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Foodie Cinema | Liguria: scent of sea, basil and chestnut

(by Andrea Gropplero - Cinecittario: Archivio Luce)

Liguria is a graceful land. The burning rock, the clean clay, the vine leaves growing in the sun. The olive tree is giant. Then the mimosa appears in Spring. Shadow and sun alternate in those deep valleys that hide from the sea, in those paved streets that climb upwards, between fields of roses, wells and fragmented land, alongside farmsteads and enclosed vineyards”.
Vincenzo Cardarelli

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The locations

San Fruttuoso Abbey
Region: Liguria Type: Abbazia Territory: borgo, mare
Dolceacqua
Region: Liguria Type: Borgo storico Territory: borgo, campagna
Piazza De Ferrari — Genoa
Region: Liguria Type: Piazza Territory: città
Porto Antico – Genoa
Region: Liguria Type: Porto Territory: centro storico, città, mare

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I am love

I am love (Io sono l’amore) (2009) is the first instalment in Luca Guadagnino’s “trilogy of desire”. It focusses on the Recchi family, rich industrialists from Lombardy, whose bourgeois rituals are broken only by Emma (Tilda Swinton), wife to Tancredi (Pippo Delbono) and mother of three: Elisabetta (Alba Rohrwacher), Edoardo (Flavio Parenti) and Gianluca (Mattia Zaccaro Garau). Her entire bourgeois existence is put on the line when she falls in love with Antonio (Edoardo Gabriellini), a talented young chef and Edoardo’s friend with whom he decides to open a restaurant on the hills near Sanremo. The scenes in the restaurant (which Antonio wants to be almost inaccessible, so that the clients “have to climb” to reach it) were shot in Buggio and Dolceacqua in the province of Imperia. Antonio wins Emma’s heart with his refined dishes, made with his own vegetables and herbs grown in his little mountain kitchen garden and their magnificent presentation. The food we see in the film was actually created by the great chef Carlo Cracco and is, in some way, a mirror image to Guadagnino’s style as he combines Visconti, Ivory and Fassbinder with measured skill.
I am Love is a classic, a film to be eaten with the eyes, full of elegant dishes created with Ligurian ingredients and recipes that have been given a modern twist. These include Ukha, a classic fish soup from Russia (like Emma), made by boiling diced potatoes, leeks and carrots for about 15 minutes, before adding dill, parsley and saffron, pepper and lemon and then pieces of cod (and, if desired, sturgeon). Cracco’s twist on the traditional recipe is to serve it as a gelatine. Antonio wins Emma’s heart through his cooking, with a Russian salad of raw river prawns, an egg yolk marinated with peas and courgette flowers and a marinara of leafy vegetables with crunchy prawns that sparks her uncontainable passion for the young cook. It is the rediscovery of these flavours and the joys of the palate that prompt her to search for new ingredients for her life.



 
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Piazza De Ferrari - Genova

The walls of Malapaga

René Clément’s The walls of Malapaga (1949), which won prizes for best director and best actress (Isa Miranda) at the Cannes Film Festival of 1949 and the Academy Award for Best Foreign Film in 1951, was shot entirely in Genoa. Fleeing from Marseilles to Genoa after killing his wife, a sailor (Jean Gabin) meets a little girl at the harbour who goes with him to the dentist to remove a painful tooth and later takes him to the restaurant where her mother works. On their travels, his wallet with documents and money is stolen. The sailor and the waitress begin to develop feelings for each other which are, however, immediately suffocated by life events. The film, shot near the walls of Malapaga and the caruggi in a Genoa still devastated by war, combines old French neorealism with the more recent Italian wave, uncoincidentally Suso Cecchi d’Amico and Cesare Zavattini contributed to the screenplay.



 
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Abbey of San Fruttuoso

Genoa and starting again with pesto

A Summer in Genoa (2008) by Michael Winterbottom is a delicate story about healing profound mental anguish. Set in Genoa, the city is not simply the background to the story but also a character in its own right. With the stories tied into it, the caruggi where it wanders, the beaches close to the city and the magic of the Abbey of San Fruttuoso, Genoa takes the three main characters by the hand to help them overcome the deep grief of loss. It is the story of Joe (Colin Firth) who moves to Genoa, with his daughters Mary and Kelly, to teach at the university after his wife is killed in an accident. The younger daughter, Mary, feels guilty about the accident and recurring visions of her mother disturb her sleep, while Kelly tries to find distraction in new friendships and experiences. The food of Genoa becomes a source of real comfort for the family. When Joe makes a sumptuous pesto for Mary and Kelly, they ask why he has never cooked the delicious dish for them before, to which he answers “because I didn’t know about it, I learnt it here”. This perhaps is the message of the film: the inclination to learning, even a simple recipe for pasta with pesto, is the first step to truly beginning again.



 
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Focaccia genovese

Historical notes on Ligurian cooking

The cuisine of Liguria is a classic cucina povera (peasant cooking), based almost exclusively on local products that are cultivated on small parcels of land literally carved out of the sea and the mountains. During the Marine Republics in the 1200s, Genoa became the preeminent harbour of the Mediterranean, enjoying flourishing trade with the known world of the time and discovering foodstuffs such as baccalà and stoccafisso which were reworked, with a touch of originality, to become the base for buridda soup.
Another of the region’s most popular dishes also derives from the time of the Marine Republics: farinata di ceci, which – according to popular legend – was the result of an unusual incident. Returning victorious from the Battle of Meloria against Pisa in 1284 the Genoan fleet was caught in a violent storm. Sacks of chickpea flour on board were upended, their contents mixing with that of barrels of olive oil and soaking up the seawater that had come in. Once the sea had calmed, the sailors were given a bowl of this practically inedible mixture as a meal. Taken up to deck, the mixture dried in the sun transforming into a tasty focaccia. The recipe was developed and declined in various versions, later spreading across Italy. In addition to the farinata di ceci, whose high protein content made it the breakfast of choice for Genoa’s port workers, the camalli, a very similar procedure lead to the castagnaccio, a sugarless dessert of chestnut flour, sultanas, pine nuts, oil and rosemary developed in Lunigiana and the area around La Spezia, places with an abundance of chestnuts.
Another significant influence came from the previously unknown elements brought by Christopher Columbus from the Americas. Two products in particular, the tomato and the potato, indelibly marked the gastronomical – and also the political and social – history of the Old Continent. Columbus brought dozens of exotic products like tobacco, corn, cacao, pumpkin, bell peppers, to mention just a few of the key elements.
Ligurian cooks were extremely sought after during the Renaissance, as they were considered the bearers of an original and most desirable gastronomic culture. However, the classic Ligurian recipes were only systematically organized in the 1700s as Vincenzo Agnoletti notes in his La nuova cucina economica. These are recipes that demonstrate little influence of neighbouring French cuisine, dishes created with an abundant use of olive oil and exclusively from local foodstuffs, emblematic of the history and geography of a region which, thanks to a microclimate unique in Northern Italy, produces a variety of fruit and vegetables that accounts for almost all the cultivated land.



 
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Pesto alla genovese

Pesto alla genovese

Pesto alla genovese or pesto genovese, is one of Italy’s most famous condiments. It is used with various types of pasta, trenettelasagnettelinguinetestaroli (a lozenge shaped pasta originally made with spelt flour and water), and can be added to vegetable soups or, in some cases, to fish.
This is the official recipe from the Consorzio del Pesto Genovese.
INGREDIENTS

  • 50 g small leafed Genoa basil
  • half a glass of extra virgin olive oil, preferably from the Ligurian Riviera
  • 6 tablespoons of Parmigiano Reggiano
  • 2 tablespoons of Pecorino DOP Fiore Sardo
  • 2 garlic cloves
  • 1 tablespoon of pine nuts, from the Mediterranean pinus pinea
  • walnuts, optional
  • a pinch or two of rock salt

METHOD
A marble mortar and wooden pestle are required to make pesto. Wash the basil leaves and dry on a tea towel. Combine salt and garlic in the mortar and pound to the consistency of a cream. Add a handful of pine nuts and keep pounding. Adding a few basil leaves at a time, grind the pestle in circular fashion around the side of the mortar. Add the appropriately aged and grated parmesan and pecorino cheeses. Dribble olive oil slowly and amalgamate. If the pesto is intended for use with pasta, add chunks of potato and a handful of green beans to the pasta when cooking.



 
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I am love (Io sono l’amore) (2009) - © Filmitalia

Recipe to make your own trailer on food and film in Liguria

This game is for anyone who wants to make a homemade trailer about Scent of sea, basil and chestnut. We’re providing the time codes for the film clips. Any edit program will work for this. Input the following data into the timeline and you’ll have your trailer in minutes.

  • Download the film titles for A Summer in Genoa
  • attach to sequence from 16.10 to 17.25
  • attach to sequence from 01h.09.00 to 01h.09.22
  • download the film titles for I Am Love
  • attach to sequence from 11.58 to 13.32
  • attach to sequence from 16.54 to 20.35
  • attach to sequence from 28.00 to 29.39
  • attach to sequence from 32.51 to 34.48
  • attach to sequence from 40.44 to 45.04
  • download the film titles for The Walls of Malapaga
  • attach to sequence from 15.48 to 16.59
  • attach to sequence from 20.07 to 21.10
  • add the end title card “End”
  • enjoy it in company and, if you haven’t yet seen the films, watch them.


 
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