(by Andrea Gropplero - Cinecittario: Archivio Luce)
Ippolito Nievo (1831-1861), the great writer whose novel – The Castle of Fratta – transformed the historical novel into a tale with a social focus, described Friuli as “…un piccolo compendio dell'universo, alpestre piano e lagunoso in sessanta miglia da tramontana a mezzodi …” (a little compendium of the universe, mountains, plain and lake in sixty miles from northeast to south). Before setting off with the Thousand in 1858, aged only 27, never to return, Garibaldi’s lieutenant wrote a novel set in his family’s castle of Colloredo di Monte Albano (Udine), which we see in a long, approach sequence in Andrea Molaioli’s film The Girl by the Lake (2007).
Print itineraryThe Girl by the Lake, which won 10 David di Donatellos and 3 Nastri d’argento in 2008, plus the Premio Pasinetti for Toni Servillo (Venice 2007) was shot entirely in Friuli on the shores of lakes Fusine in Tarvisio. Molaioli recounts an investigation by Commissioner Giovanni Sanzio (Toni Servillo) into the murder of a young female hockey player found dead on the lakeshore. The commissioner is heading towards the lake when he takes the provincial road that leads to Tarvisio, with the massive outline of the Castle of Colloredo di Monte Albano surrounded by mountains in the distance.
Although Nievo nominally sets his novel in the Castle of Fratta, which was destroyed in 14th century, Colloredo di Montalbano is the actual place described, including the famous kitchen: “there a dense and billowing smoke, there endless bubbling of beans in monstrous recipients…” The imposing castle, seen surrounded by mountains in Molaioli’s film, had another famous resident, Ippolito’s ancestor: the alchemist and poet, Ermes di Colloredo. He was a precursor, in terms of alchemy, to the figure of Jacques de Vaucanson who is discussed at length in Giuseppe Tornatore’s The Best Offer (2013), a film which won 5 David di Donatellos and 6 Nastri d’argento plus the Cinecibo Prize at the Berlinale for the large number of scenes featuring gourmet dishes. The Best Offer tells the story of auctioneer Virgil Oldman (Geoffrey Rush) who is charged with estimating the value of the objects in a villa belonging to a young woman (Sylvia Hoeks) with whom he falls in love, feelings he will pay dearly for. The film was shot mostly in Friuli, its main setting being Villa Colloredo Mels in Gorizzo di Camino, a property that belonged to the Colloredo Mels family who originally came from the Castle of Colloredo and had genealogical links with both Ermes di Colloredo and Ippolito Nievo.
Gabriele Salvatores’s The Invisible Boy (2014) opens with a view of Trieste from the sea, the shoreline of piazza Tommaseo that leads to piazza dell’Unità, two historic settings for bars frequented by intellectuals from Central Europe in the second half of the 1800s. Here, in his hometown, poet Umberto Saba would meet up with Italo Svevo, Stendhal, James Joyce, Franz Kafka (employed there by an insurance company for a time) and Rainer Maria Rilke who lived in Duino Castle a few miles from piazza dell’Unità. Everyday Rilke would walk along the path which today bears his name from the castle, where he wrote Duino Elegies, to the piazza and those caffes where he would read the paper, eat a plate of jota (sauerkraut and bean stew), goulash or a slice of putizza (leavened, stuffed bread).
The region of Friuli-Venezia Giulia is a borderland, the setting for thousands of incursions and raids, carried out by Attila and the Huns of Pannonia, the Ottomans and the Austro-Hungarians. The culinary traditions in this area derive both from the territory’s morphology and from outside influences: Slav and Austro-Hungarian in the areas around Trieste and Gorizia, the Veneto region in lower Friuli.
The real distinction of Friuli’s cuisine is the kitchen itself, the fogolar where food is prepared. Diners sit around a large central fire to eat dishes prepared in the fireplace. Here, during long winter evenings, older members of the patriarchal families would recount their life stories, orally transmitting their knowledge to the younger generations.
Fish dishes have always been a feature on the coast, with simple, elegant dishes like boreto alla graisana. This ancient fish soup uses brill, but no tomato: as it had not yet reached Italy when the recipe was compiled and would only come into use in Friuli in the second half of the 1800s. Oil was also late to appear on the scene with condiments based mostly on butter or lard in use until the early 1900s. Melted lard was also used to dress salads with the addition of salt and pepper, the latter used frequently to conserve cured meats across the region. The manufacture of cured meats is an ancient art in Friuli, there are traces of a prosciutto in Roman times that, from the drawings, appears very similar to today’s prosciutto di San Daniele. Traditional dishes from Friuli almost never use chili pepper, instead they call for paprika and for spice, cren, a horseradish sauce similar to wasabi, that is served mostly with meat, fish dishes but also with vegetables and soups.
Since time beyond memory, this land has depended on barley, the cereal first cultivated by man from Neolithic times. Barley is the base for many traditional recipes such as barley and beans – a soup with borlotti beans, barley, the bone and rind of prosciutto di San Daniele – and orzotto, a barley dish that is cooked like a risotto with seasonal baby vegetables, like white asparagus and sclopit (bladder campion).
Towards Carnia and the mountains, the flavours become smokier, with prosciutto and Sauris smoked ricotta, and the food reflects Habsburg and Bohemian influences. The cultivation of the potato in Carnia, which has an important role in Friuli cooking, began in the second half of the 1700s and was combined with Montasio (an aged cheese, which in Friuli takes the name of the local dairy farm) to produce the frico – a cheese and potato cake usually eaten with polenta.
Made with genuine authentic ingredients and simple methods, Friuli’s cuisine moves at two different speeds, suited to both the elegant dishes adored by Virgil Oldman in The Best Offer and the greedy joy with which Vittorio Gassman and Silvana Mangano devour potatoes in The Great War, another great film shot and set in Friuli.
Mario Monicelli’s The Great War (1959), winner of the Golden Lion at that year’s Venice Film Festival, 3 David di Donatellos, 2 Nastri d’Argento and an Oscar nomination for best foreign film, is considered one of the films that most affected the country’s collective memory. It tells the story of two soldiers: Oreste Jacovacci (Alberto Sordi) from Rome and Giovanni Busacca (Vittorio Gassman) from Milan called up to fight in WWI against their will. Monicelli presents an ironic and humanistic portrait of the soldiers, poor men with different geographical cultures and, at the same time, a cynical view of the armies and wars. The two protagonists hunt for any opportunity to slip away and avoid fighting until they are surprised asleep in a hay barn by enemy soldiers and labelled cowards by an Austrian commander: “whose only knowledge of guts is when cooked Venetian style with onions”, provoking a sudden urge of proud protest that leads to their deaths, two melancholy heroes.
The film was mostly shot in Friuli, in the places where Pier Paolo Pasolini spent his early childhood. Poet, novelist, journalist, playwright, actor and director, Pier Paolo Pasolini was one of the most significant characters in the culture of the 1900s in Italy. Born in Bologna on 5 March 1922 to a father from Romagna and a mother from Friuli, he came to Friuli at the age of 3 in 1925 and chose to make it his home. In love with the coarse elegance of the peasant culture and the Ladin language spoken by his mother, young Pier Paolo Pasolini spent significant time in his youth studying, teaching and sharing the Friuli tongue, founding the language school Academiuta di lenga furlana at the age of 17. The same language he would use to write poems, novels, articles and a one act play: I turcs tal friùl (The Turks in Friuli).
He would later shoot parts of his Medea (1969) – based on Euripides’ tragedy, starring Maria Callas – in Friuli, in the lagoon of Grado that stretches out to Venice. Pasolini saw Friuli as a land of “rustic love”, a place of thunderstorms and primroses.
Frico is a local dish, that is wholly Friulian. The first recipe appears towards the mid -1400s and features a frico made with cheese in a pan, named "caso in patellecte" by maestro Martino da Como, cook to the Patriarch of Aquileia Ludovico Trevisan, in his book De Arte Coquinaria. The recipe would become a household staple across Friuli. The most common versions are with Montasio cheese; Montasio cheese and potato; and Montasio cheese, potato and onion. Normally scrapings from the cheese rind (known as strissulis) are used but grated Montasio is also acceptable.
INGREDIENTS
METHOD
Peel and grate the potatoes. Lightly butter a frying pan and add potatoes, onion (thinly sliced) and the Montasio cheese. Mix and cook for 20 minutes until the cheese has melted and been absorbed by the potato. Season with salt and pepper. When a crust has formed, turn the frico so it can form a crust on the other side. When cooked, rest for 5 minutes before serving.
This game is for anyone who wants to make a homemade trailer for The Best Offer and The Great War. We’re providing the time codes for the film clips. Any edit program will work for this. Insert the following data into the timeline and you’ll have your trailer in minutes.