Alessandro Aronadio wrote and directed the romantic comedy Era Ora, freely inspired by the Australian film Long Story Short (2021), from which he extracted the theme of the inevitable passing of time, reproposing it here in his own style, using temporal leaps.
Dante (Edoardo Leo) and Alice (Barbara Ronchi) love each other greatly but, while he is always caught up in his work and is always running out of time, she lives in her own personal dimension with no fear of following her dreams and passions.
They live near the Torrino Mezzocammino area of Rome, immediately recognisable by its street art.
Always on the run, Dante heads every morning to his job at the insurance company, fictionally situated in the ENI head offices in the Europarco business park, in the Eur neighbourhood of Rome.
Their normal life is overwhelmed when, from the night after his 40th birthday, Dante wakes every morning to find himself a year ahead, without having lived the time in between and inevitably suffering the consequences of his unconsidered choices.
Despite the acceleration of time, Dante retains the habit of spending time with his best friend Valerio (Mario Sgueglia) on the shores of the Belvedere lake in the gardens of Villa Doria Pamphilj.
Alessandro Aronadio wrote and directed the romantic comedy Era Ora, freely inspired by the Australian film Long Story Short (2021), from which he extracted the theme of the inevitable passing of time, reproposing it here in his own style, using temporal leaps.
Dante (Edoardo Leo) and Alice (Barbara Ronchi) love each other greatly but, while he is always caught up in his work and is always running out of time, she lives in her own personal dimension with no fear of following her dreams and passions.
They live near the Torrino Mezzocammino area of Rome, immediately recognisable by its street art.
Always on the run, Dante heads every morning to his job at the insurance company, fictionally situated in the ENI head offices in the Europarco business park, in the Eur neighbourhood of Rome.
Their normal life is overwhelmed when, from the night after his 40th birthday, Dante wakes every morning to find himself a year ahead, without having lived the time in between and inevitably suffering the consequences of his unconsidered choices.
Despite the acceleration of time, Dante retains the habit of spending time with his best friend Valerio (Mario Sgueglia) on the shores of the Belvedere lake in the gardens of Villa Doria Pamphilj.
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