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cineturismo, location, cinema, turismo, film tourism, movie tour, Ladri di biciclette, Bicycle Thieves, neorealismo, Vittorio De Sica, Trastevere, Porta Portese, Piazza Vittorio, borgata, Val Melaina, via Nomentana, Aniene, Tevere, Tiber, Lungotevere, Roma, Rome

Bicycle Thieves

Genre

Film drama

Cast

Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Gino Saltamerenda, Vittorio Antonucci, Giulio Chiari, Elena Altieri, Carlo Jachino, Michele Sakara, Emma Druetti

Directed by

Vittorio De Sica

Bicycle Thieves

Genre

Film drama

Cast

Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Gino Saltamerenda, Vittorio Antonucci, Giulio Chi

Directed by

Vittorio De Sica
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Where it was filmed 'Bicycle Thieves'

The Bicycle Thief, considered Italian neorealism at its finest, was shot almost entirely on location in the streets of Rome in the immediate aftermath of WWII.

Antonio Ricci and his family live in Val Melaina, a Roman suburb established during the Fascist era. Today, a plaque on the wall of the former labour office, on the corner between Via Scarpanto and Via del Gran Paradiso, commemorates the place as the location for Vittorio De Sica’s masterpiece. The journey to work shows a Rome that no longer exists, viale Tirreno is wild countryside and via Nomentana is crowded with bicycles.

The office where Antonio starts work is in the central via dei Montecatini in rione Colonna, near Via del Corso, while the posters are fixed to a wall in via di Porta Pinciana. Not far off, near via Francesco Crispi, a thief steals his bicycle. This is several metres from the present Galleria d’Arte Moderna, at the time called Galleria Comunale d’Arte Moderna e Contemporanea, whose staircase is clearly visible. The chase for the thief leads Antonio to the nearby crossroads with via del Tritone and the Umberto I tunnel that leads to Via Nazionale. Returning from his first day at work, Antonio is forced to take the crowded tram at piazzale di Porta Pia which leaves him at piazza Sempione where his little son Bruno is an errand boy at a petrol pump. They walk home over ponte Tazio which crosses the river Aniene.

The next day, Antonio searches for his bicycle, first at the market of piazza Vittorio and then porta Portese. As he follows the thief and the beggar he was seen with, the film shows another unmistakeable element of the city, the gazometro. A short while later, the action shifts to piazza dei Mercanti with a glimpse of the Basilica di Santa Cecilia in Trastevere. The beggar is stopped a little further on, on Ponte Palatino. There is also time for a trip around the heart of Trastevere, near piazza San Cosimato where the fortune teller, consulted several times by the main characters, lives.

The chase also leads to the Church dei Santi Nereo e Achilleo in viale delle Terme di Caracalla returning to lungotevere and ponte Duca d’Aosta and then towards passeggiata di Ripetta, where father and son go into a trattoria. Continuing to follow the river Tiber, they come to vicolo della Campanella in the middle of the city.

The epilogue takes place on lungotevere Flaminio, near the stadio Nazionale which is crowded because of the Sunday football match which is coming to a close. The stadium, named Torino after the tragedy of Superga, was demolished in 1957 to make space for the stadio Flaminio in preparation for the 1960 Olympic Games held in Rome.

Where it was filmed 'Bicycle Thieves'

The Bicycle Thief, considered Italian neorealism at its finest, was shot almost entirely on location in the streets of Rome in the immediate aftermath of WWII.

Antonio Ricci and his family live in Val Melaina, a Roman suburb established during the Fascist era. Today, a plaque on the wall of the former labour office, on the corner between Via Scarpanto and Via del Gran Paradiso, commemorates the place as the location for Vittorio De Sica’s masterpiece. The journey to work shows a Rome that no longer exists, viale Tirreno is wild countryside and via Nomentana is crowded with bicycles.

The office where Antonio starts work is in the central via dei Montecatini in rione Colonna, near Via del Corso, while the posters are fixed to a wall in via di Porta Pinciana. Not far off, near via Francesco Crispi, a thief steals his bicycle. This is several metres from the present Galleria d’Arte Moderna, at the time called Galleria Comunale d’Arte Moderna e Contemporanea, whose staircase is clearly visible. The chase for the thief leads Antonio to the nearby crossroads with via del Tritone and the Umberto I tunnel that leads to Via Nazionale. Returning from his first day at work, Antonio is forced to take the crowded tram at piazzale di Porta Pia which leaves him at piazza Sempione where his little son Bruno is an errand boy at a petrol pump. They walk home over ponte Tazio which crosses the river Aniene.

The next day, Antonio searches for his bicycle, first at the market of piazza Vittorio and then porta Portese. As he follows the thief and the beggar he was seen with, the film shows another unmistakeable element of the city, the gazometro. A short while later, the action shifts to piazza dei Mercanti with a glimpse of the Basilica di Santa Cecilia in Trastevere. The beggar is stopped a little further on, on Ponte Palatino. There is also time for a trip around the heart of Trastevere, near piazza San Cosimato where the fortune teller, consulted several times by the main characters, lives.

The chase also leads to the Church dei Santi Nereo e Achilleo in viale delle Terme di Caracalla returning to lungotevere and ponte Duca d’Aosta and then towards passeggiata di Ripetta, where father and son go into a trattoria. Continuing to follow the river Tiber, they come to vicolo della Campanella in the middle of the city.

The epilogue takes place on lungotevere Flaminio, near the stadio Nazionale which is crowded because of the Sunday football match which is coming to a close. The stadium, named Torino after the tragedy of Superga, was demolished in 1957 to make space for the stadio Flaminio in preparation for the 1960 Olympic Games held in Rome.

Food and wine

As he searches for his stolen bicycle, Antonio takes Bruno to a trattoria where they eat mozzarella in carrozza, slices of mozzarella cheese is placed between pieces of bread, then battered in egg and milk and fried.

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Data sheet

Bicycle Thieves
Genre
Film drama
Directed by
Vittorio De Sica
Cast
Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Gino Saltamerenda, Vittorio Antonucci, Giulio Chiari, Elena Altieri, Carlo Jachino, Michele Sakara, Emma Druetti
Country of production
Italy
Year
1948
Production

P.D.S — Produzioni De Sica

Awards
Academy Award 1950: Best Foreign Language Film / Golden Globe 1950: Best Foreign Language Film / Nastro d'argento 1949: Best Film — Best Director to Vittorio De Sica — Best Storyline to Cesare Zavattini — - Best Screenplay to Cesare Zavattini, Vittorio De Sica, Suso Cecchi D'Amico, Oreste Biancoli, Adolfo Franci and Gerardo Guerrieri — Best Cinematography to Carlo Montuori — Best Soundtrack to Alessandro Cicognini
Plot

Antonio Ricci needs a bicycle to work, but his is stolen on the first day on the job. So begins a desperate search around Rome for the thief.

The locations

Lungotevere – Rome
Region: Lazio Type: River Territory: Historical centre, City
Piazza Vittorio Emanuele II – Roma
Region: Lazio Type: Square Territory: Historical centre, City
Rome
Region: Lazio Type: City Territory: Historical centre, City, Suburbs

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